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Premiere Pro CC Fundamentals
Getting Started with Premiere Pro
Introduction (1:16)
Creating a New Project (11:57)
Reviewing the Interface (5:17)
Looking at Workspaces (4:54)
Premiere Preferences (8:07)
Modifying Preferences (4:57)
Keyboard Shortcuts (6:08)
Auto Save Options (2:00)
Sync Settings (2:37)
System Requirements Explained (2:50)
Importing Media
Setting Up a Project and Sequence (5:16)
Understanding Media Types (6:04)
Importing Media from your Computer (6:41)
Importing from a Camera Card (4:01)
Importing Image Assets (6:49)
Browsing Media from Premiere Projects (4:18)
Organizing Your Media (6:14)
Reconnect Offline Media (6:46)
Editing Basics
Marking Clips in the Source Monitor (7:23)
Marking Clips in the Project Panel (4:52)
Creating Subclips (4:29)
Building a Sequence (2:44)
Adding Clips Using Insert Edit (4:26)
Moving Clips Around in the Sequence (4:11)
Targeting Destinations on the Timeline (2:02)
Trimming Edit Points in the Timeline (3:02)
Splitting and Deleting Clips (2:29)
Editing Techniques
Track Targeting and Sync Lock (6:33)
Overwrite Edits and Source Patching (8:59)
Perform 3-Point Edits (4:58)
Using the Ripple Edit Tool and Rolling Edit Tool (4:09)
Slide and Slip Edits (4:12)
Using the Trim Monitor (3:02)
Performing Replace Edits (3:59)
Top and Tail Editing (4:48)
Mastering the Timeline
Timeline Appearance Options (3:09)
Adding and Deleting Tracks (4:24)
Track Output and Locking (2:41)
Using Markers (5:55)
Reviewing the History Panel (2:26)
Understanding When to Render (3:44)
Customize Transport Controls (2:24)
Working with Stills and Transitions
Importing Images Reviewed (3:48)
Working with Stills (5:47)
Animating Stills (4:09)
Applying Transitions (2:34)
Modifying Transitions (3:57)
Applying Multiple Transitions (2:49)
Adding Titles and Exporting
Creating a Basic Title (4:53)
Working with Lower Thirds (3:23)
Adding Rolling and Crawling Credits (5:03)
Exporting a Master (5:12)
Exporting for Web and Devices (4:53)
Archiving a Project (2:26)
What's Next? (0:57)
Moving Clips Around in the Sequence
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